L-R work by Matthew Shain, David Taylor, Lily Brooks, and Joey Lehman Morris
L-R work by Julie Shafer and Lily Brooks
Work by Julie Shafer
L-R work by Joey Lehman Morris, David Taylor, and Julie Shafer
L-R work by Lily Brooks and Joey Lehman Morris
L-R work by Lily Brooks and Joey Lehman Morris
Joey Lehman Morris, “Accumulation 06”, chromogenic print face mounted to Optium acrylic and walnut frame, 2015
Joey Lehman Morris, “Accumulation 07”, chromogenic print face mounted to Optium acrylic and walnut frame, 2015
Lily Brooks, “Zilker Park (sky)”, gelatin silver print, 2017
Lily Brooks, “Zilker Park (ground)”, gelatin silver print, 2017
David Taylor, “Border Monument No. 02”, inkjet print on dibond, 2007-2014
David Taylor, “Border Monument No. 122A”, inkjet print on dibond, 2007-2014
David Taylor, “Border Monument No. 123”, inkjet print on dibond, 2007-2014
Matthew Shain, “Post-Monuments, New Orleans (Robert E. Lee, erected 1884)”, mounted archival pigment print in artist frame, 2017-18
Matthew Shain, “Post-Monuments, New Orleans (General P.G.T. Beauregard, erected 1913)”, mounted archival pigment print in artist frame, 2017-18
Jonas N.T. Becker, “Blank Topographies, 117 Million”, raised relief map, acrylic paint, 2017
Jonas N.T. Becker, “Blank Topographies, 128 Million”, raised relief map, acrylic paint, 2017
Jonas N.T. Becker, “Better or Equal Use, Belcher Mountain”, coal and gelatin, 2018
Julie Shafer, “Conquest of the Vertical, 300 Miles to Eureka!”, silver gelatin pinhole negative, 2013
Julie Shafer, “Conquest of the Vertical, 700 Miles to Eureka!”, silver gelatin pinhole negative, 2013